Dennison Blackett seated on stage at MUTEK Forum, Montreal, with the MUTEK Forum title screen behind him.

Music AI that actually knows theory.

THIRI is the agentic harmony layer for music. Deterministic, accountable, and built to plug into the tools you already use.

Generative systems can synthesize complex sound and still fail to play a C major scale. THIRI decides the notes, the same way every time, and can show you why.

Demos

Open one and play it.

No install and no account. Open one and you are hearing the engine in about ten seconds.

Sing into it

KORUS

Sing one line and hear it answered in five parts, in your own voice, with your formants intact. It voices against the chart, so the harmony moves when the chord does. A browser and a microphone, nothing to install.

Open KORUS →
TODO: KORUS instrument screen.
The live host still serves the old landing page until thiri-demo-web #3 merges.
MIDI out

Helix Arpeggiator

Voice-led paths across your changes. Every note is legal against the chord underneath, and every performance is reproducible from a seed and a tempo, so you can keep the take you liked.

Open Helix →
The Helix faceplate: oscillator, envelope, filter, arpeggiator and FX rack, with the transport.
Type a direction

Conductor

Describe the feel in words. THIRI arranges a four-piece band with harmony, bass and drums, then plays it in the browser. The theory is decided before a note is rendered.

Open Conductor →
The Conductor interface with a text prompt field and a Conduct button.
Five lanes

Studio Rack

Helix, Vocal, Keys, Drums and Band in one page, each wired to the live API. The closest thing to seeing the whole engine at once.

Open Studio Rack →
The Studio Rack: the Helix Arp, Vocal Harmonizer and Keys Lab lanes beside their module panels.
Acoustic retrieval

Sound Corpus 3D

155 sound samples mapped across Pitch (X), Timbre (Y), and Envelope (Z) in Euclidean space. Grounded by THIRI's deterministic theory engine so an AI agent can query sound with mathematical certainty.

Open Corpus 3D →
[ X, Y, Z ]
Pitch · Timbre · Envelope
Live 3D Web Audio Canvas

In development

THIRI on an instrument, and on a stage.

HRN SXTN is the harmony engine pointed at a single horn. Play one line and hear a section in your own tone. It is a build in progress, not a product, and everything measured about it is published.

The idea

Three parts, one instrument.

THIRI decides the notes. It never synthesises: each harmony voice is your own sound moved onto its calculated note, formants kept, so the section is still you.

Elk Audio supplies the hardware. Their Stomp runs a headless audio OS, which is what lets the whole engine sit inside a 1.333 ms callback with no computer in the room.

MUTEK and Music Hackspace are where it was built and judged. Two days in Montreal, August 2026: first in the Elk Audio challenge, second in Roland Project LYDIA.

The hackathon bench in Montreal: a laptop, the Elk Stomp, a keyboard and cabling.
Door one · desktop

The VST and the standalone

A plugin for your DAW and an app that runs on its own. Five voices of formant-preserving harmony off a live horn, voiced against the chart rather than a fixed interval. This is the build that won the challenge, running in Ableton.

See the desktop line →
TODO: the plugin running in a DAW.
No screenshot of the VST or the standalone exists yet, and a board photo here would read as the pedal.
Door two · hardware

The stomp pedal

The same engine, headless on a stock $399 Elk Stomp. No laptop, no network, no second box. Five voices at 0.82 ms average and 1.11 ms worst against a 1.333 ms deadline, zero dropouts across three sweeps.

The pedal is a measurement instrument first. You cannot buy it. What it has not had is players: everything measured so far was measured by the person who built it, on one board, with one horn.

See the pedal →
A macro of the Stomp's board: green connectors, red and blue light across the PCB.

Open hrnsxtn.thiri.ai Read the measurement

Products

Things you can buy.

The engine in a tool you keep, rather than a page you visit.

Arrange, render, keep

Composer C

Sketch a progression, reharmonise it, hear it voiced properly, and keep the result, because it will be the same result tomorrow. Form, harmony, layers and stems from one spec you can carry on editing.

Open Composer C →
The Composer C arrangement: pad, kick, rhodes and sub lanes with the chord symbols across the ruler, transport and mixer below.
Practice

Run the Changes

A practice tool that holds you to the chart. It generates the changes, voices them correctly, and keeps the harmony honest while you play over it, so what you hear in the room is what the tune actually does.

Play Run the Changes →
Run the Changes mid-loop: D-7, G7 and C major 7 engraved with their guide tones, the melody note moving across the staff.
Score to picture

FYLLM

Drop in an AI video and get a score that follows the cut, rendered on your own Mac with the same harmony engine underneath. Nothing leaves your machine. Licences from $47.

Get FYLLM →

Pricing and licence terms →

Research

We publish the numbers, including the ones that did not work.

Harmonic integrity is a claim, so it gets evidence. Every figure below has a page behind it with the method and the raw data.

Whole engine at five voices on a stock Elk Stomp, the timer that decides whether a buffer drops. Measured at 48 kHz with a 64 sample buffer on the performance governor. Harness and raw CSV are public.
MeasurementResultAgainst
Average block0.82 ms1.333 ms deadline
Worst block1.11 ms1.333 ms deadline
DropoutsZero xrunsAcross three sweeps
Voices5Headless JUCE 8 VST3 under Sushi 1.3.0

Community

Builders who want the theory to hold.

T.H.I.R.I. Builders is the group for people wiring this into their own work. Free to join, with weekly builder calls.

  • Weekly builder calls.
  • Repos and examples built on the engine.
  • The place to ask when a voicing is not doing what you expect.

Join T.H.I.R.I. Builders

Game THIRI

We write when there is a verified benchmark, an architectural break, or a real shift in music technology. Nothing auto sends.

No sequence. Read the archive or the privacy note.

About

Built by Dennison Blackett.

A saxophone player building the harmony layer he wanted to play through. THIRI is developed at Blues Prince Media in Montreal.

  • 1st place, Elk Audio challenge, Music Hackspace and MUTEK hackathon, Montreal.
  • 2nd place, Roland Project LYDIA challenge, same event.

Book a call

TODO: video sales letter goes here.
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